|
Artspace2000 Pencil & Graphite Gallery |
|
|
Wayne Hindman proudly
introduces his wildlife sculptures of North America produced in Wood/Resin.
Birds and animals are carved in wood with scrupulous, careful altention to
detail. They are then hand molded, hand cast and hand painted to afford a close
up view of the magnificent and often endangered species that inhabit the
American continent and share our environment.
Wayne was raised on a ranch in North Dakota, and Texas. A Veteran, Wayne works
out of his home and resides permanently in Texas. He studied at the American
Academy of Art in Chicago, and under Artist Antoine Sterba of Austria. He is a
descendent of John Singleton Copley, renowned early American painter whose
revered works hang in the Royal Academy of art in London, the London Museum, the
National Gallery in Washington. The Art institute of Chicago, The Boston Museum
of Art and the Dallas Museum of art. Hindman, a professional artist, painter
sculptor and wood carver. performs extensive research to make certain that every
detail of his carvings is as realistic and authentic as possible. He feels that
nature is esthetically flawless and cannot be improved upon by the artist, only
interpreted. His love of nature always brings him back to the documentation and
preservation of wildlife. Wayne is a rehabilitation volunteer at various
wildlife centers and as a member of their wildlife teams, he works with the
other members to rescue injured birds of prey and nurse them back to health so
they may be released back into the wild. Wayne has show and lectures to show his
work and has been commissioned to do pieces for various museums as well as
States for carvings of their "State Birds", Portraits, and a side
variety of artistic endeavors. His works have been featured in several
galleries, He is a member of the National woodcarvers Association and the Ward
foundation for Wild Fowl. His work has found they way to most of the US,
England, Germany and Russia
![]() |
|
Scott’s distinctive and award-winning pencil studies began in his first college art class. When given the assignment of studying and experimenting with the style and technique of a favorite master, he chose the pencil and chalk drawings of Michelangelo. The school purchased one of his drawings and hosted his first one-man show.
He strives for simplicity of composition in both his pencil drawings and his pastel landscapes where he uses a limited color palette along with light and tonal value to create mood and reflection.
|
Colored pencil |
|
Art has always been a part of my life, and the Pacific Northwest offers a continually changing palette from which to draw inspiration. My studio shelves are filled with reference books and collections of bugs, feathers and dragonflies that I refer to for the accuracy and detail recognized in my work. I am a self-taught artist, and I believe my work is quite unique. I am frequently asked where I studied Oriental design; to me, this just comes natually. If it looks balanced and feels right, that is the way it goes down on paper. In years past I have worked with watercolor and oil, and truly appreciate fine-detail graphite pencil work. In 1997 I discovered that working with colored pencil further enhanced this detail with more depth and precision. A lot of time and patience is required to complete a colored pencil painting, and inexorably it is this same quiet time that fills specific therapeutic and meditative needs in my life. When I am working, my thoughts return to the quiet places of the woods and ponds, and I strive to emulate this in my work. If you feel a sense of quietude and tranquility when viewing my paintings, then I hav ebeen successful in conveying my thoughts and feelings to you through my work, and have hopefully given you a quiet place of your own.