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Art Space 2000 Gallery 22

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Wheels

 Janaalt

Web Site    South Africa

 

Although professionally active in a very different field, painting is - and always has been –his first love: as a variation on “working to live or living to work” the story of his life is “working to live and living to paint”. Would love to have a duplicate life running simultaneously to allow for all the creative activities he’s interested in. 

Most of his work is done in commission and until he became interested in mural, faux and trompe l‘oeil painting, most of the commissions have been for animal paintings in general and dog portraits in particular.

 His art is not intended to be shocking/world-improving as he believes that the modern media are much better suited to achieve that kind of impact. He applies his art first of all as a trade, as evidenced in his detailed - realistic – style, aimed at pleasing the eye and bringing some happiness to the viewer, and more permanently to the owner of work by  “JanAalt

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Mighty Messenger

Luke Luckowski

Web Site    Belgium

 

 I was born on a snowy winter-night somewhere in 1969, Grew up in a small wild military town on the edge of Belgium where almost everyone had something to do with the military life and small wars and battles were lost and won in the pubs ,..usually over a girl or two, It was inevitable as a child not to be influenced by all of this and to draw upon these impressions, Nand Hendrix, a warrant-officer with a big curling moustache and a great sense of humor, taught me woodsculpting when I was eleven years old, Naturally I went to the art school after a few bloody discussions with my parents and teachers, After my tour of duty and several jobs later, I have created some works of art I would love the world to see, At this moment I am painting on a gigantic size of canvas in my studio, whenever I got the chance to do it, Will probably die ,..sooner or later ,..with something that looks like a pencil or brush in my hands, independent of the fact if my work is payable or neglectible,

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